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In an interview with Fresh Air on WHYY, he had this to say: "It's something people will debate. What exactly does Kong intend to do with his captive girl? It's a question Cooper biographer Mark Cotta Vaz thinks the filmmaker never even contemplated.
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The unasked question in the movie is about. I think he stands for a strange kind of animal love." I feel that there's a definite eroticism there. I feel that use of Skull Island is a very erotic landscape. "I think Cooper did not want people to look at the film that way. "I've read fans who quote Cooper as saying that moment is supposed to be about peeling petals from a rose," says Erb. There is bondage imagery and a very famous disrobing scene, where Kong slowly peels away Darrow's dress, then holds it up to his nose and sniffs. King Kong hums with an undercurrent of eroticism. "Because the public, bless 'em, must have a pretty face to look at," Denham says.Īs Denham said, they needed a woman for the film, especially for what comes later.
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"Holy mackerel! Do you think I want to haul a woman around?" asks Denham. In the movie, an exchange between Denham and a theater agent highlights this sentiment well. Women also come in for their share of disrespect. There are certainly different ways of reading the film."Īnd it wasn't just race. So for me that always kind of complicates the argument. "In my opinion, it always has this other dimension that focuses on King Kong as a victim and on the Carl Denham character as a real intruder, as a certain type who really intrudes and is very clueless about the space he is conquering. "There is certainly an interpretation of King Kong himself as an extension of the Skull Islanders as a black character that is also racist," she adds. I think it does happen with the Skull Islanders." And the depiction of natives was often patronizing, stereotypical, racist.
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So there were a lot of movies set in exotic locations. At that time in the late 20s early 30s, the jungle genre like Tarzan was very popular in film. Erb says that "most people who know the film would say to one degree or another it is a racist film. The racial aspect of the original movie is unavoidable.Ĭynthia Erb is the director of film studies at Wayne State University in Detroit and the author of Tracking King Kong: A Hollywood Icon in World Culture. But it's easy to read other, sometimes darker themes into King Kong. The beauty and beast theme is repeated over and over throughout the film. Kong could have stayed safe where he was, but he couldn't stay away from beauty." If it hadn't been for her we couldn't have gotten near Kong. In the movie, Carl Denham, the character who leads the expedition to Skull Island, neatly sums up the plot: "Miss Darrow's the story. The reasons for its popularity were numerous: groundbreaking animation by special effects master Willis O'Brien a majestic, historic score by composer Max Steiner a solid cast, featuring iconic screamer Wray as Ann Darrow and a great storyline of high adventure. And it would have been just horrible."īut King Kong turned out to be a huge hit in 1933, and it saved RKO from bankruptcy. And everybody wanted me to put a man in a gorilla suit. "He didn't know what the hell I was doing. He was the only human being that backed me up 100 percent," Cooper said. In fact, no one was interested except David O. But when Cooper first proposed the film in 1931, not everyone thought it was a good idea.
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In 1932, director Merian Cooper approached Fay Wray about playing a lead role in a new movie he was planning - King Kong. A scene from King Kong, with the giant gorilla astride a Manhattan skyscraper grabbing a passing aeroplane.